Integrating Artificial Intelligence with Performing Arts Archives
Mariel Marshall Artist and technology entrepreneur, Bluemouth inc., Toronto (Canada)
Digital Immortals: Creating an Interactive Archive of an Artist’s Life Using AI
Slides: https://www.bluemouthinc.live/lucy-ai
Sarah Whatley Coventry University (United Kingdom)
AI in creating and archiving performance: dance, disability and robotics.
Sarah Bay-Cheng York University (Canada)
From Digital to Data: The Future of Digital Historiography and Performance
Digital Innovations in Virtual Reality and Immersive Environments
Paola Ranzini IUF, Avignon Université (France)
Rémi Ronfard Centre Inria de l’Université Grenoble Alpes (France)
Past theatre productions: from archive to virtual reconstruction
Ester Merino Peral Universidad Complutense de Madrid (Spain)
METASCENOGRAPHIC (ESMUVI). A proposal for virtual immersion museum of the history of spectacle and scenography in the modern age.
Cécile Chantraine Braillon La Rochelle Université (France)
e-spect@tor : theater education through digital technology
Dance Heritage: digital archives and network approaches
Silvia Garzarella University of Bologna (Italy)
Preserving Ballet: A Computer Vision Approach to Dance Sources
Alejandra Medellín de la Piedra Centro Nacional de Investigación de Danza “José Limón”, Instituto Nacional de Bellas Artes y Literatura (México)
Reimagining Documentation: Networked Approaches for Mexico’s Dance Heritage
Integration, Interoperability and Digital Security of Digital Arts Archives
Andrea Vitalini Teatro alla Scala – Historical Artistic Archives – Milan (Italy)
La Scala Historical Database of performances: evolution and perspectives
Klaus Illmayer University of Vienna -Departement of Theatre, Film, and Media Studies (Austria)
Connecting archival records with performance identifiers
Emanuele Bellini Logos-ri – University of RomaTRE (Italy)
Cyber Humanities and Digital Security
Integrating Artificial Intelligence with Performing Arts Archives
Jhoan Oomen Netherlands Institute for Sound & Vision (Netherlands)
AI in Archives: Transforming SSH Research & Society
Roberto Basili University of Rome “Tor Vergata” (Italy)
Performing arts: the promise of current language and vision AI technologies
Elisa Passone University of Rome “Tor Vergata” (Italy)
From ArtBase (Archive and Theatre Database) to ArtChat (Archive and Theatre Chat) via LLMs
Strategies for Metadata and Data Management and Linked Open Data in the Performing Arts
Nina Marie Evensen Center for Ibsen Studies, University of Oslo, Norway
IbsenStage: Tracking the Worldwide Performances of Henrik Ibsen’s Works
Donatella Gavrilovich University of Rome “Tor Vergata” (Italy)
The Hyperstage project: work in progress at a glance
Giovanni Bergamin LOGOS Research&Innovation, Florence (Italy)
Valeria Paraninfi University of Rome “Tor Vergata” (Italy)
A prototype for Hyperstage: starting from a collaborative ontology
Marco Argentina University of Bologna (Italy)
A first registry of Italian digital performing arts archives: a Hyperstage project challenge
Open Science and the European Science Cloud
Raffaella Santucci LOGOS Research&Innovation, Florence (Italy)
Open Science Policies in SSH: Connecting Research, Data, and Public Access
Anamarija Žugić Borić The Institute of Ethnology and Folklore Research, Zagreb (Croatia)
Aligning Arts and Humanities: Theatralia’s Contribution to DARIAH-EU Infrastructure
Sara Di Giorgio Consortium GARR, Rome (Italy)
Empowering cultural heritage: GARR’s infrastructure to innovate the performing arts revolution